面向斯科特莫里森的藝術欣賞101——關於趙立堅使用的烏合麒麟的卡通畫_風聞

這是轉載。原文是英文，我簡單翻譯了一下。

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作者 @PandemicTruther

首先，它是藝術品，而不是假照片。但是細節是如此生動和引人注目，以至於很容易被誤認為是一張照片。鑑於藝術品傳遞出的強大能量，許多人被視覺圖像震撼卻不知具體原因。打動我們的，是如下這些被畫作喚醒的內置在我們心理中的符號。

將該藝術品稱為偽造照片或篡改照片，就像將畢加索的Guernica稱為偽造照片一樣。莫里森要求烏合麒麟道歉，就像納粹要求畢加索道歉。格爾尼卡比卡通形象更“偽”，卡通形象真實地喚起了澳大利亞戰爭罪行的殘酷和嗜血。

畫作所使用的顏色幾乎是迷幻的，與令人毛骨悚然的細節形成鮮明對比。由黑色，綠色和黃色三種顏色組成的阿富汗國旗在這裏出現了。黑色象徵19世紀英國的入侵，紅色象徵着為抵抗英國殖民統治而尋求獨立而犧牲的鮮血和生命。綠色象徵着奮鬥後的美好甜蜜和平與繁榮。

但是，我們看到綠色的黑洞意味着和平美好的未來受到嚴重損害。

我們只看到紅色和綠色，而沒有黑色的“英國殖民入侵”部分。取而代之的是帶有澳大利亞殖民地象徵的藍色澳大利亞國旗。這就是説新的殖民統治者已經取代了舊的統治者，特別是盎格魯圈。它在左側佔據了很大的空間，這意味着新的殖民力量更加強大和險惡。如果仔細觀察，在澳大利亞藍旗下有許多“土墩”，暗示着更多的戰爭罪行，這些罪行被隱藏起來，並受到該旗的認可、掩蓋和保護。

最令人震驚的圖像是中間，一個強大而殘酷的澳大利亞大兵滿面笑容地手持匕首，正要將一個抱着小羊羔的孩子的喉嚨割斷。這個孩子完全是無助的。請注意，孩子的臉被藍色的澳大利亞國旗遮蓋着，這意味着這是另一起由國家認可的、保護和隱昧的謀殺案。（國家的）宣傳使士兵對人類的苦難視而不見。他以西方價值觀的名義犯下了令人髮指的罪行！割喉不是被髮明的細節。澳大利亞士兵確實大肆割裂了孩子們的喉嚨，以防止他們大喊大叫，並將他們裝在袋中扔進河裏。現實比卡通要可怕得多。

請注意，士兵站在藍色的澳大利亞國旗上。那就是他從中汲取力量的地方，例如，西方國家系統性地放縱、縱容和贊同戰爭罪行，這已成為戰爭的一部分。

這個孩子站在阿富汗國旗的紅色部分，這意味着他們的鬥爭和犧牲尚未結束。

這個孩子抱着一隻羊羔。這象徵着純真，被害和無助。但是，羊羔也是西方古典繪畫中經常與基督結合使用的象徵。在拉切爾（Rachael）的畫中，我們看到男嬰耶穌基督抱着羔羊，而瑪利亞懷着極大的同情心注視着他。

他們畫中的羔羊也象徵着耶穌基督的命運，耶穌基督因人類的原罪（殺人的嗜血？）而被釘上十字架。但是自從耶穌基督復活以來，羔羊也象徵着永恆的靈魂。正如耶穌所説：“温順的人將繼承大地”。殘酷的力量看上去很強大，但這只是暫時的。石頭看起來比花堅固。但是，花朵的優雅和訊息雖然脆弱，卻更加強大。它的信息是永恆的。

澳大利亞，習慣上被認為是基督教國家。但在這個畫作中，澳大利亞由這個殘酷而醜陋的、正在屠殺的反基督主義者代表。

澳大利亞談論了中國對西方價值觀的威脅。這種西方價值觀被證明是西方自由，他們可以在不受阻嚇和反對的情況下大規模殺害無辜者。如果中國宣佈澳大利亞戰爭罪名成立，那麼西方集團就會感到集體受到威脅。這些所謂的西方價值觀已經與傳統的西方價值觀本身背道而馳，成為反基督主義者。

斯科特·莫里森（Scott Morrison）與士兵站在一起，與孩子和羔羊敵對。

中國與孩子和羔羊站在一起，與士兵和澳大利亞/西方的國家機器和宣傳敵對。

通過這項藝術作品，中國向世界宣告，它不再對無辜者和温順者的痛苦視而不見。它將攻擊殺人的西方價值觀——這些價值觀允許無辜人民遭到大規模屠殺。

寓言繪畫和基督教象徵是西方的傳統。有人奇怪為什麼西方沒有人瞭解這種藝術？

順便説一句，為什麼#UighurGenocide沒有產生任何有力的藝術？因為它是假的。沒有這樣的事情。這個世界已經習慣於偽造人類苦難的表象，以至於當某種真實而強大的事物出現時，人們的精神就決堤般地被感動了，以至於它立即引起了國際上的心理轟動。

這才是藝術！畫作沒有錯。只有斯科特·莫里森（Scott Morrison）那遲鈍、麻木而又愚蠢的靈魂才能保持不被感染。 他的思想被仇恨和宣傳所毒害。

為澳大利亞感到羞恥！

部分受此中文視頻啓發：https://www.bilibili.com/video/BV1TK4y1f77g

現實需要偉大的藝術家。

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原文：

Art appreciation 101 for Scott Morrison of the cartoon painting by Wuhe Qilin used by Zhao Lijian

First of all, it’s an artwork and not a fake photo. But the details are so vivid and striking that it could be easily mistaken for a photo. And given the powerful energy conveyed by a work of art, many people are disturbed by the visual image without exactly knowing why. These are symbols built into our psyches which are being called out to haunt us here.

To call this artwork a fake photo or doctored photo is like calling Picasso’s Guernica a fake photo. Morrison asking Wuhe Qilin to apologize is like Nazi asking Picasso to apologize. Guernica is more “fake” than the  cartoon image which is an authentic mild evocation of Aussie war crimes which are a lot more brutal and bloodthirsty.

The colors used are very pretty almost psychedelic contrasting harshly with the macabre details. The Afghan flag which is composed of three colors, black green and yellow are represented here. Black symbolises the British invasion in the 19th century. Red symbolizes the  blood shed/life  sacrificed in Afghan resistance to seek independence from the British colonial rule. Green symbolizes the sweet peace and prosperity to be savoured in the future after the struggle. However we see black holes in the  green meaning projected peaceful beautiful future is severely  compromised.

We only see the red and green represented whereas the black “British colonial invasion” part is absent. It’s replaced by the blue Aussie flag which also bears the UK colonial symbol. This is saying that new colonial master has replaced the old, and in particular the Anglosphere. It occupies a large space on the left meaning new colonial power is more powerful and menacing. If one looks closely,  there were mounds under the Aussie blue flag hinting at a lot more war crimes which are hidden and state sanctioned, covered and protected  by the flag.

The most striking image is the child holding the lamb in the middle whose throat is about to be slit by a strong brutal big Aussie soldier with a knife in his hand leering with glee taking visible pleasure in the exploit. The child is utterly helpless. Note that the child’s face is veiled by the blue Aussie flag, meaning it’s just another state-sanctioned murder protected and hidden by the flag. The propaganda has rendered the soldier blind to human suffering. He is committing a heinous crime in the name of Western values! Throat slitting is not an invented detail. Aussie soldiers did wantonly slit the throats of children to prevent them from screaming out for help, put them in bags and dumped into a river. Reality is a lot more horrendous than the cartoon.

Note that the soldier kneels on the blue Aussie flag. That’s where he draws his strength from, ie, the systemic Western state indulgence/condonement/endorsement of war crimes which has been part of the art of war.

The child stays on the red part of the Afghan flag, meaning their struggle and sacrifice  are not over yet.

The child holds a lamb. This symbolizes the innocence, the victimhood and the helplessness. However the lamb is also a symbol frequently used in association with Christ in classical Western paintings. In Rachael’s paintings we see baby boy Jesus Christ holding a lamb with Mother Mary looking on with immense compassion. The lamb in their paintings also symbolizes the fate of Jesus Christ who was crucified for the original sin of humanity (the murderous bloodthirstiness?). However since later Jesus Christ was resuscitated, the lamb also symbolizes the eternal soul. As Jesus said, “The meek shall inherit the earth”. The brutal force looks powerful but it’s temporary. A stone looks stronger than a flower.  But the grace and the message of a flower, though fragile, is more powerful. Its message is  eternal.

Australia, a supposed Christian nation, embodied by this brutal ugly soldier is made out to be the slaughtering anti-Christ.

Australia talks a lot about China’s threat to Western values. Such Western values turn out to be the Western liberty to mass murder the innocents without being deterred and opposed. If China calls out the Aussie war crimes, then the western bloc feels collectively threatened. These so called Western values have turned against the traditional Western values themselves and have become anti-Christ.

Scott Morrison stands with the soldier against the child and the lamb.

China stands with the child and the lamb against the soldier and the Aussie/Western state machines and propaganda.

With this art work, China has declared to the world that it’s no longer turning a blind eye to the suffering of the innocent and the meek. It will attack the murderous Western values which allowed such mass slaughtering of innocent people to happen.

Allegorical paintings and Christian symbols are Western traditions. One wonders why nobody in the West has understood such art?

Incidentally, why #Uighurgenocide hasn’t produced any powerful art? Because it’s fake. There’s no such thing. The world is so used to fake representation of human suffering that when something real and powerful comes along, ethos is so unbearably moving, that it immediately creates an international psychological sensation.

This is art! There’s no mistake about it. Only the obtuse numbed dumbed soul of Scott Morrison can stay impervious to it. His mind is poisoned by hate and propaganda.

Shame on Australia!

Partially inspired by this Chinese video：https://www.bilibili.com/video/BV1TK4y1f77g

Reality calls for great artists